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Francesco Guardi The Lagoon Looking Towards Murano from the Fondamenta Nuova The Lagoon Looking Towards Murano from the Fondamenta Nuova (1765-70) Oil on canvas, 31,7 x 52,7 cm. Fitzwilliam Museum, Cambridge.
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Francesco Guardi Le solennit dogali Francesco Guardi, dipinto della serie: "Le solennit?? dogali", scena: Il Bucintoro naviga verso san Nicol?? di Lido, il giorno dell'Ascensione. Dipinto verso il 1775-1780.
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Francesco Guardi piazza san marco, venedig olja på duk 50x85
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Francesco Guardi Venice from the Bacino di San Marco oil on canvas painting by Francesco Guardi
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Francesco Guardi The Little Square of St. Marc The Little Square of St. Marcus", Oil painting, Francesco Guardi (1712?C1793)
c.1780
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Francesco Guardi Der Bucintoro vor San Nicolo di Lido Medium Oil on canvas
Dimensions Expression error: Missing operand for *50 ?? 80 cm
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Francesco Guardi ett mirakel av s:t hyacinthus 1763
pa duk 172x122cm
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Francesco Guardi The Little Square of St. Marcus "The Little Square of St. Marcus", Oil painting, Francesco Guardi (1712?C1793)
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Francesco Guardi Little Square of St. Marcus Oil painting, Francesco Guardi (1712?C1793)
Date c.1780
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Francesco Guardi Schiffe im Meeresgewitter 1765-1770
Oil on canvas
33 ?? 45 cm (13 ?? 17.7 in)
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Francesco Guardi Schiffe im Meeresgewitter Date 1765-1770
Medium Oil on canvas
Dimensions 33 ?? 45 cm (13 ?? 17.7 in)
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Francesco Guardi View of the Palazzo Loredan dell'Ambasciatore on the Grand Canal, Venice, View of the Palazzo Loredan dell'Ambasciatore on the Grand Canal, Venice, oil on panel painting by Francesco Guardi, National Museum of Wales.
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Francesco Guardi Three Arched Bridge at Cannaregio between 1765(1765) and 1770(1770)
Medium Oil on canvas
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Francesco Guardi Arched Bridge at Cannaregio between 1765(1765) and 1770(1770)
Medium Oil on canvas
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Francesco Guardi Arched Bridge at Cannaregio between 1765(1765) and 1770(1770)
Medium Oil on canvas
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Francesco Guardi Abfahrt des Bucentaur zum Lido ca. between 1775(1775) and 1780(1780)
Oil on canvas
66 x 100 cm (26 x 39.4 in)
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Francesco Guardi Fire in the San Marcuola Oil Depot Date 1789(1789)
Medium Oil on canvas
Dimensions Height: 32 cm (12.6 in). Width: 51 cm (20.1 in).
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Francesco Guardi Abfahrt des Bucentaur zum Lido Oil on canvas
Dimensions 66 x 100 cm (26 x 39.4 in)
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Francesco Guardi Fire in the San Marcuola 1789(1789)
Medium Oil on canvas
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Francesco Guardi View of the Palazzo Loredan dell'Ambasciatore on the Grand Canal Medium Oil on panel
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Francesco Guardi
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1712-1793
Italian
Francesco Guardi Galleries
Francesco Guardi was born in Venice into a family of lesser nobility from Trentino. His father Domenico (born in 1678) and his brothers Niccolo and Gian Antonio were also painters, the latter inheriting the family workshop after the father's death in 1716. They probably all contributed as a team to some of the larger commissions later attributed to Francesco. His sister Maria Cecilia married the pre-eminent Veneto-European painter of his epoch, Giovanni Battista Tiepolo.
In 1735, Guardi moved to the workshop of Michele Marieschi, where he remained until 1743. His first certain works is from 1738, for a parish at Vigo d'Anuania, in Trentino. In this period he worked alongside his better-known brother, Gian Antonio. The first work signed by Francesco is a Saint Adoring the Eucarist (circa 1739).
His works in this period included landscapes as well as figure representations. His early vedutas show influence both from Canaletto and Luca Carlevarijs. On February 15, 1757 he married Maria Mattea Pagani, the daughter of painter Matteo Pagani. In the same year his brother Gian Antonio died and his first son, Vincenzo, was born. His second son, Giacomo, was born in 1764.
In 1763 he worked in Murano, in the church of San Pietro Martire, finishing a Miracle of a Dominican Saint clearly influenced by Alessandro Magnasco in its quasi-expressionistic style.
Francesco Guardi's most important later works include the Doge's Feasts, a series of twelve canvases celebrating the ceremonies held in 1763 for the election of Doge Alvise IV Mocenigo. In his later years, Canaletto's influence on his art diminished, as showed by the Piazzetta in the Ca' d'Oro of Venice. In circa 1778, he painted the severe Holy Trinity Appearing to Sts. Peter and Paul in the parish church of Roncegno.
Miracle of a Dominicane Saint (1763), Lugano, private collection.In 1782 Guardi was commissioned by the Venetian government six canvases to celebrate the visit of the Russian Archdukes in the city, of which only two remain, and two others for that of Pope Pius VI. On September 12 of that year he was admitted to the Fine Art Academy of Venice.
A stronger attention to colours is present in late works such as the Concerto of 80 Orphans of 1782, now in Munich, in the Façade of Palace with Staircase in the Accademia Carrara of Bergamo.
Guardi died at Venice in 1793.
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